The last poem in our series is by the Irish poet, playwright and translator Seamus Heaney (1939 – 2013). It is set within his poetic drama The Cure at Troy, a version of a play by the Greek dramatist Sophocles (fifth century BCE), and addresses questions of personal morality, deceit and political expediency, suffering and healing. Heaney’s imaginative power relates the ancient story to universal human experiences.

From The Cure at Troy

Human beings suffer,
They torture one another,
They get hurt and get hard.
No poem or play or song
Can fully right a wrong
Inflicted and endured

…

History says, don’t hope
On this side of the grave.
But then, once in a lifetime
The longed-for tidal wave
Of justice can rise up,
And hope and history rhyme.

So hope for a great sea-change
On the far side of revenge.
Believe that further shore
Is reachable from here.
Believe in miracle
And cures and healing wells.

Call miracle self-healing:
The utter, self-revealing
Double-take of feeling.
If there’s fire on the mountain
Or lightning and storm
And a god speaks from the sky

That means someone is hearing
The outcry and the birth-cry
of new life at its term.

Poems for These Times

‘Poems for These Times’ is a special collection of poetry offered in response to the Covid-19 pandemic. It is intended as a way of sustaining us, and to give us something on which to meditate together during these difficult and challenging times.

There will be just one poem each week, so that we can really stay with what is offered. We can read it – perhaps aloud – to ourselves or to any companions in our isolation, and sense the vibrations through our whole being. For poetry has the power to affect us on every level – body, mind, heart and soul. It has a magic, which, in the words of poet Adrienne Rich:

“… goes back very far: the rune; the chant; the incantation; the spell; the kenning; sacred words; the naming of the child; the plant, the insect, the ocean, the configuration of stars, the snow, the sensation in the body… The physical reality of the human voice.”

Of course, not every poem will appeal to everyone – that is inevitable. But there is also the possibility that staying with something that does not immediately appeal can be stimulating and helpful. Experience suggests that sustained attention and contemplation of a poem’s music, words and thoughts can be deeply rewarding.

It would be lovely to share any responses and thoughts you may have through our comments section below.

Barbara Vellacott